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NCCR “Mediality. Historical Perspectives”
2005-2009 The task of the historical mediology already in progress is to develop patterns of description that allow us to understand how mediality has formed cultural meaning. The question is not so much what media are, but rather, what in which situations and processes works as a medium, and what are the specific conditions that make the medial possible. Emphasis is put therefore not only on the images that media present of the world, but also on those images of the medial that shape our notions of what media are. The historicity and imagination of the medial, as well as the particular historical dynamics and logics of mediality will be brought to light. Organised into a general overall field (A.) and four issue-related fields (B. Interference, C. Ostentation, D. Instrumentalisation and E. Transference), texts, images, maps, sculptures, architecture, textiles, sounds and films will serve to develop different but related perspectives on medial peculiarities of the premodern period. The period between the 12th and the 15th centuries forms the focus of research in the second phase of the NCCR as it did in the first. At the same time, however, the borders of European-Christian cultural traditions will be brought into focus, perspectives on the early modern period will be opened, and selected aspects of modernity will provide a basis to observe those phases of modernity in which in literature, art, and science media discourses begin to take shape - discourses which in turn formed the idea of a premodern mediality. Participating fields of the NCCR are: German Literature and Linguistics, History, History of Art, Film Studies, Musicology, Scandinavian Studies, Romance Literature and Linguistics, and Law. |
B. Interference C. Display D. Instrumentalisation E. Transference |
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